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Auden Looking up at the stars, I know quite well Let me count the ways Cummings somewhere i have never travelled,gladly beyond Cummings "Wild Nights - Wild Nights! He paints my name Teodoro Luna in his later years
Alliteration is particularly useful in languages with less rich rhyming structures. Assonance, where the use of similar vowel sounds within a word rather than similar sounds at the beginning or end of a word, was widely used in skaldic poetry but goes back to the Homeric epic. Consonance provokes a more subtle effect than alliteration and so is less useful as a structural element.
In many languages, including modern European languages and Arabic, poets use rhyme in set patterns as a structural element for specific poetic forms, such as balladssonnets and rhyming couplets. However, the use of structural rhyme is not universal even within the European tradition.
Much modern poetry avoids traditional rhyme schemes. Classical Greek and Latin poetry did not use rhyme. Some forms of poetry carry a consistent and well-defined rhyming scheme, such as the chant royal or the rubaiyatwhile other poetic forms have variable rhyme schemes. Most rhyme schemes are described using letters that correspond to sets of rhymes, so if the first, second and fourth lines of a quatrain rhyme with each other and the third line do not rhyme, the quatrain is said to have an "aa-ba" rhyme scheme.
This rhyme scheme is the one used, for example, in the rubaiyat form. Poetic form is more flexible in modernist and post-modernist poetry and continues to be less structured than in previous literary eras.
Many modern poets eschew recognizable structures or forms and write in free verse. But poetry remains distinguished from prose by its form; some regard for basic formal structures of poetry will be found in even the best free verse, however much such structures may appear to have been ignored. Among major structural elements used in poetry are the line, the stanza or verse paragraphand larger combinations of stanzas or lines such as cantos. Also sometimes used are broader visual presentations of words and calligraphy.
These basic units of poetic form are often combined into larger structures, called poetic forms or poetic modes see the following sectionas in the sonnet. Poetry is often separated into lines on a page, in a process known as lineation. These lines may be based on the number of metrical feet or may emphasize a rhyming pattern at the ends of lines. Lines may serve other functions, particularly where the poem is not written in a formal metrical pattern. Lines can separate, compare or contrast thoughts expressed in different units, or can highlight a change in tone.
Lines of poems are often organized into stanzaswhich are denominated by the number of lines included. Thus a collection of two lines is a couplet or distichthree lines a triplet or tercetfour lines a quatrainand so on. These lines may or may not relate to each other by rhyme or rhythm.
For example, a couplet may be two lines with identical meters which rhyme or two lines held together by a common meter alone. Other poems may be organized into verse paragraphsin which regular rhymes with established rhythms are not used, but the poetic tone is instead established by a collection of rhythms, alliterations, and rhymes established in paragraph form.
In many forms of poetry, stanzas are interlocking, so that the rhyming scheme or other structural elements of one stanza determine those of succeeding stanzas.
Examples of such interlocking stanzas include, for example, the ghazal and the villanellewhere a refrain or, in the case of the villanelle, refrains is established in the first stanza which then repeats in subsequent stanzas. Related to the use of interlocking stanzas is their use to separate thematic parts of a poem. For example, the stropheantistrophe and epode of the ode form are often separated into one or more stanzas. In some cases, particularly lengthier formal poetry such as some forms of epic poetry, stanzas themselves are constructed according to strict rules and then combined.
In addition to two or three alliterations, the odd-numbered lines had partial rhyme of consonants with dissimilar vowels, not necessarily at the beginning of the word; the even lines contained internal rhyme in set syllables not necessarily at the end of the word.
Each half-line had exactly six syllables, and each line ended in a trochee. Even before the advent of printing, the visual appearance of poetry often added meaning or depth. Acrostic poems conveyed meanings in the initial letters of lines or in letters at other specific places in a poem.
With the advent of printingpoets gained greater control over the mass-produced visual presentations of their work. Visual elements have become an important part of the poet's toolbox, and many poets have sought to use visual presentation for a wide range of purposes. Some Modernist poets have made the placement of individual lines or groups of lines on the page an integral part of the poem's composition.
At times, this complements the poem's rhythm through visual caesuras of various lengths, or creates juxtapositions so as to accentuate meaning, ambiguity or ironyor simply to create an aesthetically pleasing form. In its most extreme form, this can lead to concrete poetry or asemic writing.
Poetic diction treats the manner in which language is used, and refers not only to the sound but also to the underlying meaning and its interaction with sound and form. Poetic diction can include rhetorical devices such as simile and metaphoras well as tones of voice, such as irony. Aristotle wrote in the Poetics that "the greatest thing by far is to be a master of metaphor. Allegorical stories are central to the poetic diction of many cultures, and were prominent in the West during classical times, the late Middle Ages and the Renaissance.
Aesop's Fablesrepeatedly rendered in both verse and prose since first being recorded about BCE, are perhaps the richest single source of allegorical poetry through the ages. Rather than being fully allegorical, however, a poem may contain symbols or allusions that deepen the meaning or effect of its words without constructing a full allegory.
Another element of poetic diction can be the use of vivid imagery for effect. The juxtaposition of unexpected or impossible images is, for example, a particularly strong element in surrealist poetry and haiku. Many poetic dictions use repetitive phrases for effect, either a short phrase such as Homer's "rosy-fingered dawn" or "the wine-dark sea" or a longer refrain.
Such repetition can add a somber tone to a poem, or can be laced with irony as the context of the words changes. Specific poetic forms have been developed by many cultures.
In more developed, closed or "received" poetic forms, the rhyming scheme, meter and other elements of a poem are based on sets of rules, ranging from the relatively loose rules that govern the construction of an elegy to the highly formalized structure of the ghazal or villanelle. Additional forms of poetry may be found in the discussions of the poetry of particular cultures or periods and in the glossary.
Among the most common forms of poetry, popular from the Late Middle Ages on, is the sonnet, which by the 13th century had become standardized as fourteen lines following a set rhyme scheme and logical structure.
By the 14th century and the Italian Renaissancethe form had further crystallized under the pen of Petrarchwhose sonnets were translated in the 16th century by Sir Thomas Wyattwho is credited with introducing the sonnet form into English literature.
By convention, sonnets in English typically use iambic pentameterwhile in the Romance languagesthe hendecasyllable and Alexandrine are the most widely used meters. Sonnets of all types often make use of a voltaor "turn," a point in the poem at which an idea is turned on its head, a question is answered or introduce or the subject matter is further complicated. This volta can often take the form of a "but" statement contradicting or complicating the content of the earlier lines. In the Petrarchan sonnet, the turn tends to fall around the division between the first two quatrains and the sestet, while English sonnets usually place it at or near the beginning of the closing couplet.
Sonnets are particularly associated with high poetic diction, vivid imagery, and romantic love, largely due to the influence of Petrarch as well as of early English practitioners such as Edmund Spenser who gave his name to the Spenserian sonnetMichael Draytonand Shakespeare, whose sonnets are among the most famous in English poetry, with twenty being included in the Oxford Book of English Verse.
Further, postmodern authors such as Ted Berrigan and John Berryman have challenged the traditional definitions of the sonnet form, rendering entire sequences of "sonnets" that often lack rhyme, a clear logical progression, or even a consistent count of fourteen lines. In all cases, rhyming is obligatory. The Yuefu is a folk ballad or a poem written in the folk ballad style, and the number of lines and the length of the lines could be irregular.
For the other variations of shi poetry, generally either a four line quatrain, or jueju or else an eight-line poem is normal; either way with the even numbered lines rhyming. The line length is scanned by an according number of characters according to the convention that one character equals one syllableand are predominantly either five or seven characters long, with a caesura before the final three syllables.
The lines are generally end-stopped, considered as a series of couplets, and exhibit verbal parallelism as a key poetic device. Among its other rules, the jintishi rules regulate the tonal variations within a poem, including the use of set patterns of the four tones of Middle Chinese.
The basic form of jintishi sushi has eight lines in four couplets, with parallelism between the lines in the second and third couplets. The couplets with parallel lines contain contrasting content but an identical grammatical relationship between words. Jintishi often have a rich poetic diction, full of allusionand can have a wide range of subject, including history and politics. The villanelle is a nineteen-line poem made up of five triplets with a closing quatrain; the poem is characterized by having two refrains, initially used in the first and third lines of the first stanza, and then alternately used at the close of each subsequent stanza until the final quatrain, which is concluded by the two refrains.
The remaining lines of the poem have an a-b alternating rhyme. Audenand Elizabeth Bishop. A limerick is a poem that consists of five lines and is often humorous. Rhythm is very important in limericks for the first, second and fifth lines must have seven to ten syllables.
However, the third and fourth lines only need five to seven. All of the lines must rhyme and have the same rhythm. Tanka is a form of unrhymed Japanese poetrywith five sections totalling 31 on phonological units identical to moraestructured in a pattern. Tanka were written as early as the Asuka period by such poets as Kakinomoto no Hitomaro fl. By the tenth century, tanka had become the dominant form of Japanese poetry, to the point where the originally general term waka "Japanese poetry" came to be used exclusively for tanka.
Tanka are still widely written today.
Haiku is a popular form of unrhymed Japanese poetry, which evolved in the 17th century from the hokkuor opening verse of a renku. Traditionally, haiku contain a kirejior cutting word, usually placed at the end of one of the poem's three sections, and a kigoor season-word. An example of his writing:. This was likely derived from when the Thai language had three tones as opposed to today's five, a split which occurred during the Ayutthaya Kingdom perio two of which corresponded directly to the aforementioned marks.
It is usually regarded as an advanced and sophisticated poetic form. The two differ in the number of syllables in the second wak of the final bat and inter-stanza rhyming rules. It has four bat per stanza si translates as four. The first wak of each bat has five syllables.
The second wak has two or four syllables in the first and third battwo syllables in the second, and four syllables in the fourth. Mai ek is required for seven syllables and Mai tho is required for four, as shown below. Odes were first developed by poets writing in ancient Greek, such as Pindarand Latin, such as Horace.
Forms of odes appear in many of the cultures that were influenced by the Greeks and Latins. The antistrophes of the ode possess similar metrical structures and, depending on the tradition, similar rhyme structures. In contrast, the epode is written with a different scheme and structure. Odes have a formal poetic diction and generally deal with a serious subject. The strophe and antistrophe look at the subject from different, often conflicting, perspectives, with the epode moving to a higher level to either view or resolve the underlying issues.
Odes are often intended to be recited or sung by two choruses or individualswith the first reciting the strophe, the second the antistrophe, and both together the epode. One non-Western form which resembles the ode is the qasida in Persian poetry. The ghazal also ghazel, gazel, gazal, or gozol is a form of poetry common in ArabicBengaliPersian and Urdu. In classic form, the ghazal has from five to fifteen rhyming couplets that share a refrain at the end of the second line.
This refrain may be of one or several syllables and is preceded by a rhyme. Each line has an identical meter. The ghazal often reflects on a theme of unattainable love or divinity. As with other forms with a long history in many languages, many variations have been developed, including forms with a quasi-musical poetic diction in Urdu. The relatively steady meter and the use of the refrain produce an incantatory effect, which complements Sufi mystical themes well. His life and poems have been the subject of much analysis, commentary and interpretation, influencing post-fourteenth century Persian writing more than any other author.
In addition to specific forms of poems, poetry is often thought of in terms of different genres and subgenres. A poetic genre is generally a tradition or classification of poetry based on the subject matter, style, or other broader literary characteristics.
Others view the study of genres as the study of how different works relate and refer to other works. Narrative poetry is a genre of poetry that tells a story. Broadly it subsumes epic poetrybut the term "narrative poetry" is often reserved for smaller works, generally with more appeal to human interest.
Narrative poetry may be the oldest type of poetry. Many scholars of Homer have concluded that his Iliad and Odyssey were composed of compilations of shorter narrative poems that related individual episodes.
Much narrative poetry-such as Scottish and English balladsand Baltic and Slavic heroic poems-is performance poetry with roots in a preliterate oral tradition. It has been speculated that some features that distinguish poetry from prose, such as meter, alliteration and kenningsonce served as memory aids for bards who recited traditional tales. Lyric poetry is a genre that, unlike epic and dramatic poetry, does not attempt to tell a story but instead is of a more personal nature.
Poems in this genre tend to be shorter, melodic, and contemplative. Rather than depicting characters and actions, it portrays the poet's own feelingsstates of min and perceptions. Vincent Millay. Epic poetry is a genre of poetry, and a major form of narrative literature. This genre is often defined as lengthy poems concerning events of a heroic or important nature to the culture of the time.
It recounts, in a continuous narrative, the life and works of a heroic or mythological person or group of persons. While the composition of epic poetry, and of long poems generally, became less common in the west after the early 20th century, some notable epics have continued to be written.
Derek Walcott won a Nobel prize to a great extent on the basis of his epic, Omeros. Poetry can be a powerful vehicle for satire. The Romans had a strong tradition of satirical poetry, often written for political purposes. A notable example is the Roman poet Juvenal 's satires.
The same is true of the English satirical tradition. An elegy is a mournful, melancholy or plaintive poem, especially a lament for the dead or a funeral song.
The term "elegy," which originally denoted a type of poetic meter elegiac metercommonly describes a poem of mourning. An elegy may also reflect something that seems to the author to be strange or mysterious. The elegy, as a reflection on a death, on a sorrow more generally, or on something mysterious, may be classified as a form of lyric poetry.
The fable is an ancient literary genreoften though not invariably set in verse. It is a succinct story that features anthropomorphised animalslegendary creaturesplantsinanimate objects, or forces of nature that illustrate a moral lesson a " moral ". Verse fables have used a variety of meter and rhyme patterns. Dramatic poetry is drama written in verse to be spoken or sung, and appears in varying, sometimes related forms in many cultures.
Dating poems. Poems related to Datingfor handmade cards, scrapbook layouts and other projects. This was written for my husband when we were dating: My love for you is so great that it encompasses the world. It walks among the giants. It casts a shadow larger than the pyramids. Dating a Poet offers to make the existence of both more enjoyable, by pairing poetry with lighthearted stories about relationships and life. In addition to poetry, the site offers beautiful artwork from around the world, plus date ideas to help make any event more poetic. All My Poems Are Love Poems: When Two Poets Fall in Love Love poetry is about as old as love itself, from Homer's vision of Penelope's steadfastness, to the biblical Song of Solomon, to Shakespeare's sonnets for his "Dark Lady" (or, some speculate, Dark Lord), to .
Greek tragedy in verse dates to the 6th century B. Speculative poetry, also known as fantastic poetry of which weird or macabre poetry is a major sub-classificationis a poetic genre which deals thematically with subjects which are "beyond reality", whether via extrapolation as in science fiction or via weird and horrific themes as in horror fiction. Such poetry appears regularly in modern science fiction and horror fiction magazines. Edgar Allan Poe is sometimes seen as the "father of speculative poetry".
Prose poetry is a hybrid genre that shows attributes of both prose and poetry. It may be indistinguishable from the micro-story a. Latin American poets of the 20th century who wrote prose poems include Octavio Paz and Giannina Braschi. Light poetry, or light verseis poetry that attempts to be humorous. Poems considered "light" are usually brief, and can be on a frivolous or serious subject, and often feature word playincluding punsadventurous rhyme and heavy alliteration.
Although a few free verse poets have excelled at light verse outside the formal verse tradition, light verse in English usually obeys at least some formal conventions. Common forms include the limerickthe clerihewand the double dactyl. While light poetry is sometimes condemned as doggerelor thought of as poetry composed casually, humor often makes a serious point in a subtle or subversive way.
Many of the most renowned "serious" poets have also excelled at light verse. KennedyWillard R. Espyand Wendy Cope. Slam poetry as a genre originated in in ChicagoIllinoiswhen Marc Kelly Smith organized the first slam. Slam focuses on the aesthetics of word play, intonation, and voice inflection.
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Slam poetry is often competitive, at dedicated " poetry slam " contests. From Wikipedia, the free encyclopedia.
This is the latest accepted revisionreviewed on 3 May This article is about the art form. For other uses, see Poetry disambiguation. For other uses, see Poem disambiguationPoems disambiguationand Poetic disambiguation. For the IU song, see Love Poem song. Form of literature. Main articles: History of poetry and Literary theory. Main article: Meter poetry. Main articles: Timing linguisticstone linguisticsand Pitch accent. Main article: Scansion. Main articles: RhymeAlliterative verseand Assonance.
Main article: Rhyme scheme. Main articles: Line poetry and Stanza. Main article: Visual poetry. Main article: Poetic diction.
See also: Category: Poetic form. Main article: Sonnet. Main article: Shi poetry.
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Main article: Villanelle. Main article: Limerick poetry. Main article: Tanka. Main article: Haiku. Main article: Thai poetry. Main article: Ode. Main article: Ghazal. Main article: Narrative poetry. Main article: Lyric poetry. Main article: Epic poetry. Main article: Elegy.
Main article: Fable. Main article: Speculative poetry. Main article: Prose poetry. Main article: Light poetry. Main article: Poetry slam. Poetry portal. However, in some forms, the unit is more equivalent to wak. To avoid confusion, this article will refer to wak and bat instead of linewhich may refer to either. Oxford Dictionaries.
Oxford University Press. Merriam-Webster, Inc. Poetry: an introduction. Edinburgh University Press. Selected Essays. Modern Poetry After Modernism. Harvill Press. International Communication Gazette. The Interface Between the Written and the Oral. Cambridge University Press. The Epic of Gilgamesh Revised ed. Penguin Books. The New York Times. Retrieved 1 May A small tablet in a special display this month in the Istanbul Museum of the Ancient Orient is thought to be the oldest love poem ever found, the words of a lover from more than 4, years ago.
The Odyssey Re-Formed. Cornell University Press. Chinese Civilisation: A Sourcebook 2nd ed. The Free Press. A poetics handbook: verbal art in the European tradition.
In Kern, Martin ed. Text and Ritual in Early China. University of Washington Press. A history of literary criticism. Aristotle's Poetics. Genre Reprint ed. Journal of the American Oriental Society.
Ang Dating Tayo Spoken Poetry by Maimai Cantillano (with lyrics in description)
Burnett, Charles Brill Academic Publishers. The Universities of the Italian Renaissance. Johns Hopkins University Press.
Critique of Judgment. CS1 maint: multiple names: authors list link Kant argues that the nature of poetry as a self-consciously abstract and beautiful form raises it to the highest level among the verbal arts, with tone or music following it, and only after that the more logical and narrative prose. Keats and negative capability. The constructivist moment: from material text to cultural poetics. Wesleyan University Press. Journal of Translation. Archived from the original on 9 March The classical tradition: Greek and Roman influences on western literature Reissued ed.
Literary Criticism: A Short History. Vintage Books. Why write poetry? Fairleigh Dickinson University Press. The Cambridge companion to modernist poetry. Postmodernist culture: an introduction to theories of the contemporary 2nd ed. Princeton Encyclopaedia of Poetry and Poetics enlarged edition. London and Basingstoke: Macmillan Press. Do have a look at our website, where you can enjoy lots poetry and prose for free, as well as buying the magazine. India About Blog I am a girl from India who aspires to become a published author one day!
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